#Keilwerth alto sax pro

It's new and I've not had a reason to disassemble it, though I probably will sometime mid-July.If you want to play boldly (jazz/rock), then the Shadow (also a nickel silver body) will certainly please you. It played great before and after I did the 'fix'.I've not checked my tenor for this problem. After I leveled them, I found no difference in the way it played, however. I may pursue an SX90 sop one day.On my alto, RH 'D' and the lower tone holes were noticeably warped when I checked them against a smooth flat surface. I find them to be very comfortable to play and the sound and extremely well built. I wouldn't use a mouthpiece with a small chamber or a restrictive baffel because it could cause intonation problems.I would highly recommend the Keilwerth SX-90 and SX-90R/ They're both fantastic horns.Дitto on SX90R - I play a gold lacq alto and a nickel-silver tenor. Also, the Keilwerths, like the Conns and many other vintage saxophones, like a mouthpiece with a large open chamber. I have played several, and I have never seen a horn with this problem. I don't think that this is a major problem with the Keilwerths. If the tone rings are warped to any degree at all, it can be very hard to get the pads to seal properly. Like the vintage Conns with the rolled tone holes that I collect and repair, the tone rings have to be perfectly level. I think they are the best made saxophone on the market.On the downside, the tone rings have been subject to some problems.

#Keilwerth alto sax pro

The quality is much better than that of the Selmer Reference Series, or the pro model Yamahas. They're extremely durable even waterproof. The Keilwerths have the best pads of any of the modern horns. The quality and craftsmenship is outstanding. They have the vintage sound like a Conn with the rolled tone holes, and a very fast, positive action. I currently own a Keilwerth SX-90 soprano. I have tried several Keilwerth saxophones.